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looks like Obama’s got a lot to read and watch
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I’m suprised at the acclaim that the movie “Shower” has got outside China. I can’t remember the movie very well now, but I remember when I first watched it when it was first released (that was quite a few years ago), I (and my friends) couldn’t believe how “much ado about nothing” the movie was and why Pu Chunxi would want to star in it. The story was so artificial. There are so many better and real stories that are touching and warm than this one. Foreign viewers may like the exoticness of the story; to many Chinese it was just so made-up and unnatural. And because of its artificiality, it’s not touching.
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Anonymous–
Feel free to share the names of the movies you feel better reflect China so readers can check those out too.
–KMH
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Chinese people have real struggles with life. The struggle of the family in that movie is not that they can’t make a living or have other hardships, but that they are obsessed with the shower and bath business (if I remember the movie correctly). How representative is this story in contemporary China? It’s a fine movie. It’s just its international acclaim (which I’ve recently noticed) is way higher than its domestic acclaim, as far as I can tell.
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Anonymous with the Shower obssession: It has also been a while since I saw the film, but what I remember is a film about the emotional and social dislocation caused by the imminent demolition of a long-standing, well-established community. The bathhouse is merely a vehicle for the portrayal of that dislocation, serving as it does as a meeting-point and almost a community centre for the neighbourhood’s male population.
I would also recommend “Sunflower” for it’s portrayal of the rather fraught relationship between a father and his son. Not because it’s in anyway representative of the “typical” Chinese family, but because it spans the period from the Cultural Revolution up to the early 90s. It’s quite good at covering certain of the key events and issues of that time frame- the Tangshan quake, death of Mao, downfall of the Gang of Four, and many of the drastic changes brought on by reform and opening up, for example.
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It’s also been a while (actually a long while) since I saw the film, but I didn’t see that the shower business represents “the emotional and social dislocation caused by the imminent demolition of a long-standing, well-established community.” That’s probably what the director wanted to show, but s/he should have chosen something better to represent the theme. Remember Chen Kaige’s movie “The Promise” (无极)? We all know how widely the movie was ridiculed in China, partly because the entire story was about a steamed bun. Of course Chen Kaige could say it’s not really about a steamed bun, but something way bigger. But because the movie chose something petty/unreal to represent the theme, it became the most ridiculed movie in China in recent times. At least to some people, “The Shower” seems like a smaller scale version of “The Promise”.
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